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An exhibition with Umarell, in New York City, 2025
3 films, 1 booklet, 1 framed print
PLAY; A Living Archive of Urban Football
An exhibition with 1815 F.C and Starling, in Limerick, summer 2024
Archival film, recorded footage, ongoing archiving of materials,
Walking Football Tour
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An exhibition with 1815 F.C and Starling, in Limerick, summer 2024
Archival film, recorded footage, ongoing archiving of materials,
Walking Football Tour
Cement/Heterotopias:
Short experimental film piece with accompanying text
https://youtu.be/Aq7Ui5lAlGc
Sound Design by Isaac Clarke
The question of a fugitive archive
The reification of “The Body” and “Space”
Heterotopia exacerbates the tension between the story the subject tells of itself and the story
that first produces the subject. A perpetual play of inside and outside.
Sources include:
Foucault's speech "Des Espaces Autres” as well as an English translation of such;
Edward W Soja's book Postmodern Geographies; Ludwig Witttgenstein's “Tractatus Philosophicus”;
Harry Dodge interview in The Lunch Ticket;
Sigrid Nunez's “Eine Feder auf dem Atem Gottes”;
Sébastien Lifshitz's photography collection exhibited in C/O Berlin;
Martijn Loos, Johanna Kaszti, and Rick van der Waarden's essay The Body as Heterotopia;
Róisín Ní Haicéid's re-interpretation of Townes Van Zandt's "I'll Be Here in the Morning”;
the original version of “I’ll be here in the morning”;
“Love notes from a German building site” by Adrian Duncan;
a speech by Nikita Khrushchev at the National Conference of Builders, Architects, Workers in the Construction Materials an Manufacture of Construction and Roads Machinery Industries, and Employees of Design and Research and Development Organisations on December 7, 1954;
Wikipedia article on the Maison Coignet;
a conversation with Sandy Kaltenborn outside 34a Weichselstrasse;
Hines’ collaboration with Hang Tough;
various conversations with Isaac Clarke, Gavin Fahy, Cameron Lynch Róisín Hackett, Maija Sofia Makela, Cian Handschuh, Frank Heisterkamp, Anne-Marie Offer.
Created with funding from the Arts Council of Ireland
COLLECTING